‘To what do you go, mademoiselle? The life of a nun in a convent, in a country where nuns are unwelcome. She hesitated about her name, and, being prompted, gave it at last as Ann Veronica Smith, 107A, Chancery Lane. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. He is steeped in the conventions.
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