While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. Could she understand what she was talking about? Luckily it was a second-class carriage and the ordinary fellowtravellers were not there. It was Ramage, the occupant of the big house at the end of the Avenue.
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