Yet you catch her eye—you can’t seem to escape from it. The houses loomed progressively larger as one strode up the block, growing from ranch to two-story, from squat 1950's modern to stately 1890's palace. He flung open the door and cast a quick glance round. He knocked at the door. " He summoned another "boy" and rumbled some Cantonese. Beyond was a narrow bridge, crossing a circular building, at the bottom of which lay a deep well. He insisted on buying this girl for two hundred mex. On their left the river, with its gloomy pile of buildings on the opposite side, and a huge revolving advertisement throwing its strange reflection upon the black water. ‘We don’t know who she is.
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